巴黎破晓：爱、战争与印象派的诞生[Audiobook]

English | ASIN: B0DDYD832H | 2024 | 12 hours and 6 minutes | M4B@64 kbps | 339 MB

From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans-then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. In stirring and exceptionally vivid prose, Sebastian Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience-reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things-became the movement's great contribution to the history of art. Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.

1870年夏天到1871年初，巴黎及其人民在德国人围攻之下，陷入饥荒，并被迫投降。这段被称为“恐怖之年”的日子因维克多·雨果而闻名。随后，激进共和派建立了一个脱离中央政权的公社，在经过血腥的街头战斗和中心巴黎的大火之后，法国军队最终将它镇压下去。在令人振奋且极其生动的叙述中，西榭纳姆·斯迈讲述了通过印象主义伟大人物的眼睛所发生的故事。埃德加·马奈、伯特·莫里索以及埃德加·德拉克罗夫均被困于巴黎，并深深卷入了其政治事务之中。其他一些人，包括皮耶尔-奥古斯特·雷诺阿则加入到首都之外的部队中服役，而克莱芒·莫里索和卡米尔·毕沙罗则及时逃离了国家。在战争结束之后，这些艺术家们对生活的脆弱感有了全新的认识。这种时间流逝的感觉——反映在印象主义对易逝之光、变换的季节以及街景的捕捉上，以及所有事物的不稳定性之中——成为该艺术运动对艺术史的巨大贡献。深刻且引人入胜的是，《巴黎沦陷》展示了艺术世界中的情感与政治的变化，揭示了围困和公社时期的混乱如何深刻地影响现代艺术，并如何在黑暗和灾难中孕育出艺术天才。

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