巴黎残垣：爱、战争与点彩派的诞生[Audiobook]

English | ASIN: B0DDYD832H | 2024 | 12 hours and 6 minutes | M4B@64 kbps | 339 MB

From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans-then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. In stirring and exceptionally vivid prose, Sebastian Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience-reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things-became the movement's great contribution to the history of art. Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.

1870年夏天到1871年春天，巴黎及其人民被德军围困、饥饿，并被迫投降，这段时期被称为“恐怖之年”，由维克多·雨果(Victor Hugo)所称。之后，激进共和派建立了脱离的公社，在血腥的街头战斗和烧毁巴黎中心后，法国军队最终将其镇压。在 Sebastian Smee 的生动而极其鲜明的笔触下，他通过印象主义伟大人物的眼睛讲述这段戏剧性日子的故事。Édouard Manet、Berthe Morisot 和 Edgar Degas 在围困期间被困在巴黎，并深深地卷入其中的政治中。其他人，则包括Pierre-August Renoir，参加了首都之外的军队；而Claude Monet和Camille Pissarro则及时逃离了国家。在事后的结果中，这些艺术家对生命的脆弱性有了新的感觉。这种对短暂性的感受——体现在印象主义对瞬息万变的光、季节的变迁、街头场景的窥视，以及所有事物的不稳定性上——成为了这一运动为艺术史做出的伟大贡献。深入且吸引人，巴黎在废墟中捕捉到艺术世界中不断变化的热情和政治，揭示了围困和公社的混乱如何对现代艺术产生了深远影响，而艺术天才可以在黑暗和灾难中诞生。

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