意大利伪造者：现代意大利的艺术市场和过去的重量

English | ISBN: 1501774573 | 2024 | 258 pages | EPUB | 17 MB

Italian Forgers takes an unorthodox approach to the fascinating topic of art forgery, focusing not on art forgery per se, but on the major forgery scandals that shifted the Italian art market in response to constant, and often intense, demand for Italian objects. By focusing on power dynamics that both precipitated forgery scandals and forged Italian cultural identities, this book connects the debates and discussions about three well-known Italian forgers―Giovanni Bastianini, Icilio Joni, and Alceo Dossena―to anchor and investigate the mechanics of the Italian art market from unification through the fascist era. Carol Helstosky examines foreign accounts of transactions and Italian writings about the art market. The actions and words of Italian dealers illustrate how the Italian art and antiquities market was an undeniably modern industry, on par with tourism in terms of its contribution to the Italian economy and to understandings of Italian identity. These accounts also reveal how dealers, artists, go-betweens, guides, and restorers worked to not only meet the intense demand for Italian products but also to develop highly sophisticated business practices to maintain financial stability and respond to shifts in demand consciously (but not always conscientiously).

中文| ISBN:1501774573|2024|258页|EPUB | 17 MB《意大利伪造者》对艺术伪造这一引人入胜的话题采取了非正统的方法，关注的不是艺术伪造本身，而是改变意大利艺术市场的主要伪造丑闻，以应对对意大利艺术品持续且往往强烈的需求。通过关注引发伪造丑闻和伪造意大利文化身份的权力动态，本书将关于三位著名的意大利伪造者——乔瓦尼·巴斯蒂亚尼尼、伊奇利奥·乔尼和阿尔西奥·多塞纳的辩论和讨论联系起来，以锚定和调查从统一到法西斯时代的意大利艺术市场的运作机制。卡罗尔·赫尔斯托斯基研究了外国交易账户和意大利关于艺术市场的著作。意大利经销商的行动和言论表明，意大利艺术品和古董市场是一个不可否认的现代产业，在对意大利经济的贡献和对意大利身份的理解方面与旅游业不相上下。这些账户还揭示了经销商、艺术家、中间人、导游和修复师是如何工作的，他们不仅满足了对意大利产品的强烈需求，还发展了高度复杂的商业实践，以保持金融稳定，并有意识地（但并不总是认真地）应对需求的变化。

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