歌剧新哲学

2024 | English | 1631496867 | EPUB | 320 pages | 29 MB

From “the most imaginative director in the US” (New York Times) comes this generational work with a vision for transforming opera into a powerhouse cultural phenomenon.

"This book builds a compelling roadmap for the future of opera, and how it can truly be accessible for everyone."

―Gustavo Dudamel

Known as opera’s “disrupter-in-residence,” director Yuval Sharon has never adhered to the art form’s conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in “non-places,” such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini’s La bohème in reverse order, ending not with the tubercular heroine Mimi’s death but with her first falling in love.

With A New Philosophy of Opera, Sharon has crafted a radical and refreshing book that can act as an introduction to the art form for the culturally curious, or as a manifesto for his fellow artists. In an engaging style that ranges from the provocative to the personal, Sharon offers a 360-degree view of the art form, from the audience experience to the artist’s process; from its socially conscious potential to its economic reality; and from its practical to its emotional and spiritual dimensions.

Surveying the role of opera in the United States and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an “anti-elite opera” that celebrates the imagination and challenges the status quo. With an illustrated and unconventional history of the art form (not following a straight line but tracing a fantastical “time-curve”) weaving throughout the book, Sharon resists the notion of the opera as “dying” and instead portrays it as a glorious chaos constantly being reborn and reshaped.

With its advocacy of opera as an “enchanted space” and its revolutionary message, A New Philosophy of Opera is itself a work of art―a living book with profound philosophical implications―that will stand the test of time.

21 photographs, 12 line drawings; 8 page color insert

2024 |英语| 1631496867 | EPUB | 320页| 29 MB来自《纽约时报》的“美国最具想象力的导演”的这一代作品，其愿景是将歌剧转变为一种强大的文化现象。 “这本书为歌剧的未来构建了一个引人注目的路线图，以及如何让每个人都能真正接触到它。” ―古斯塔沃·杜达梅尔 被称为歌剧“常驻破坏者”的导演尤瓦尔·沙龙从未遵守过这种艺术形式的惯例。在他在美国和欧洲的许多作品中，他不断挑战人们对歌剧冷漠的看法，其中包括：在停车场等“非场所”表演歌剧；鼓励使用放大技术；以及颠覆经典作品的传统结构，比如以相反的顺序表演普契尼的《波西米亚人》，结局不是结核病女主角咪咪的去世，而是她第一次坠入爱河。 凭借《歌剧新哲学》，莎伦创作了一本激进而令人耳目一新的书，可以作为对文化好奇的人对这种艺术形式的介绍，也可以作为他的艺术家同行的宣言。Sharon以一种从挑衅到个人的引人入胜的风格，提供了从观众体验到艺术家过程的360度艺术形式视图；从社会意识潜力到经济现实；从实际到情感和精神层面。 沙龙考察了歌剧在美国的作用，并借鉴了他从柏林到洛杉矶的经历，阐述了他对“反精英歌剧”的愿景，这部歌剧赞美了想象力，挑战了现状。莎伦在整本书中穿插了这种艺术形式的插图和非传统历史（不是沿着直线，而是沿着一条奇幻的“时间曲线”），她抵制了歌剧“死亡”的概念，而是将其描绘成一种不断重生和重塑的辉煌混乱。 《歌剧新哲学》倡导歌剧是一个“迷人的空间”，并传递了革命性的信息，它本身就是一件艺术品——一本具有深刻哲学含义的活书——经得起时间的考验。 21张照片，12幅线条图；8页彩色插页

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