废墟中的巴黎：爱、战争与印象主义的诞生

English | September 10th, 2024 | ISBN: 1923058053 | 416 pages | True EPUB | 9.81 MB

Impressionism remains wildly popular. Crowds flock to exhibitions by its greatest artists: Édouard Manet, Berthe Morisot, Pierre-Auguste Renoir, Edgar Degas, Claude Monet, Camille Pissarro. But as Sebastian Smee shows in Paris in Ruins, a book of great narrative sweep and vivid detail, Impressionism was a complex reaction to an age of violence and war.

From the summer of 1870 to the spring of 1871, the 'Terrible Year', Paris and its people were cut off, starved and forced to surrender by Germans—before rebel republicans established a breakaway government or Commune. After the burning of central Paris, the republicans were crushed by the French army.

Smee tells this story through the eyes of these key artists, with a special focus on the intimate, enigmatic relationship between Manet—the father of Impressionism—and Morisot, the group's only female member in its early years. An indelible portrait of the city, Paris in Ruins captures the chaos of that year, and reveals how it had an incalculable effect on the development of modern art.

Born in 1972 in Adelaide, Sebastian Smee is now a Pulitzer Prize-winning art critic at the Washington Post. He has written widely about art, and is the author of The Art of Rivalry: Four Friendships, Betrayals, and Breakthroughs in Modern Art. He lives in Boston.

'Astonishing. Heartstopping. A true story confined by two brutal years, and the walls of a great city under siege, which exults in love, courage, beauty, mischief and the mystery of human intimacy.' Annabel Crabb

'Its psychological insights into male friendship, ambition, ego and vulnerability make it a book as rich as a multi-layered cake.' Sydney Morning Herald on The Art of Rivalry

英文| 2024年9月10日|国际标准图书编号：1923058053 | 416页|真正的EPUB | 9.81 MB 印象派仍然广受欢迎。人群涌向其最伟大的艺术家的展览：爱德华·马奈、Berthe Morisot、Pierre Auguste Renoir、Edgar Degas、Claude Monet、Camille Pissarro。但正如塞巴斯蒂安·斯密在《废墟中的巴黎》一书中所展示的那样，印象派是对暴力和战争时代的复杂反应。 从1870年夏天到1871年春天，也就是“可怕的一年”，巴黎及其人民被德国人切断了联系，饿死并被迫投降，直到反叛的共和党人建立了一个分离的政府或公社。巴黎市中心被烧毁后，共和党人被法国军队镇压。 Smee告诉了这个故事，特别关注印象派之父Manet与该团体早期唯一的女性成员Morisot之间的亲密而神秘的关系。《废墟中的巴黎》是这座城市不可磨灭的肖像，它捕捉到了那一年的混乱，并揭示了它对现代艺术发展的不可估量的影响。 Sebastian Smee于1972年出生于阿德莱德，现在是《华盛顿邮报》获得普利策奖的艺术评论家。他写了很多关于艺术的文章，是《竞争的艺术：现代艺术中的四种友谊、背叛和突破》的作者。他住在波士顿。 “令人震惊。令人心碎。一个真实的故事被两年的残酷岁月所限制，一座被围困的大城市的城墙，它因爱、勇气、美丽、恶作剧和人类亲密关系的神秘而欢欣鼓舞。”安娜贝尔克拉布 “它对男性友谊、野心、自我和脆弱性的心理洞察使它成为一本像多层蛋糕一样丰富的书。”《悉尼晨报》：竞争的艺术

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