声环境的现象学研究

English | 242 pages | Palgrave Macmillan (August 12, 2024) | 3031659201 | EPUB,PDF | 6 Mb

Phenomenological approaches to sounds, noises, voices, and music traditionally privilege methods that center visual perception. This book aims not only to phenomenologically describe sonic environments, but also to develop an audition-centered phenomenological methodology to enable this task. "Sonic environment" is this book's term for the acoustic shape of human life-environment, which is multisensory and does not exclude visual, tactile, olfactory, and gustatory sensations connected with sounds or their sources. Sonic environments (in so far as they are lived) are not composed of separate sounds, but created by “sonic phenomena” – i.e., lived (real or imagined) experiences with sounds, noises, voices, and music. Just as phenomenology traditionally privileges the visual over the audio, phenomenology thematically prefers listening to a voice or a music over less articulated sonic experiences (i.e., sounds without an obvious meaning, melody, or rhythm).In this respect, the book not only provides missing phenomenological descriptions of sonic environments, but also redefines phenomenological methodology with respect to acoustic perception.

英文|242页|Palgrave Macmillan（2024年8月12日）|3031659201|EPUB，PDF | 6 Mb 声音、噪音、声音和音乐的现象学方法传统上优先考虑以视觉感知为中心的方法。这本书不仅旨在现象学地描述声音环境，而且旨在开发一种以听觉为中心的现象学方法来实现这一任务。“声环境”是本书对人类生活环境的声学形状的术语，它是多感官的，不排除与声音或其来源相关的视觉、触觉、嗅觉和味觉。声音环境（就其存在而言）不是由单独的声音组成的，而是由“声音现象”创造的，即声音、噪音、声音和音乐的真实或想象体验。正如现象学传统上优先考虑视觉而不是音频一样，现象学在主题上更喜欢听声音或音乐，而不是不太清晰的声音体验（即没有明显意义、旋律或节奏的声音）。在这方面，这本书不仅提供了对声音环境缺失的现象学描述，还重新定义了关于声音感知的现象学方法。

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