核大屠杀小说和气候小说中的(生态)焦虑
(Eco)Anxiety in Nuclear Holocaust Fiction and Climate Fiction: Doomsday Clock Narratives demonstrates that disaster fiction― nuclear holocaust and climate change alike― allows us to unearth and anatomise contemporary psychodynamics and enables us to identify pretraumatic stress as the common denominator of seemingly unrelated types of texts. These Doomsday Clock Narratives argue that earth’s demise is soon and certain. They are set after some catastrophe and depict people waiting for an even worse catastrophe to come. References to geology are particularly important― in descriptions of the landscape, the emphasis falls on waste and industrial bric- a- brac, which is seen through the eyes of a future, posthuman archaeologist. Their protagonists have the uncanny feeling that the countdown has already started, and they are coping with both traumatic memories and pretraumatic stress. Readings of novels by Walter M. Miller, Nevil Shute, John Christopher, J. G. Ballard, George Turner, Maggie Gee, Paolo Bacigalupi, Ruth Ozeki, and Yoko Tawada demonstrate that the authors are both indebted to a century- old tradition and inventively looking for new ways of expressing the pretraumatic stress syndrome common in contemporary society. This book is written for an academic audience (postgraduates, researchers, and academics) specialising in British Literature, American Literature, and Science Fiction Studies.
英文|170页|劳特利奇出版社;第一版(2023年7月7日)| 1032468920 | PDF | 7 Mb (生态)核大屠杀小说和气候小说中的焦虑:世界末日时钟叙事表明,灾难小说——核大屠杀和气候变化都是如此——使我们能够挖掘和剖析当代心理动力学,并使我们能够将创伤前压力视为看似无关的文本类型的共同点。这些末日时钟叙事认为,地球的灭亡是很快和肯定的。它们设定在一些灾难之后,描绘了人们等待更糟糕的灾难到来。地质学的参考尤其重要——在描述景观时,重点放在废物和工业碎片上,这是通过未来后人类考古学家的眼睛看到的。他们的主角有一种不可思议的感觉,倒计时已经开始了,他们正在应对创伤记忆和创伤前压力。阅读Walter M.Miller、Nevil Shute、John Christopher、J.G.Ballard、George Turner、Maggie Gee、Paolo Bacigalupi、Ruth Ozeki和Yoko Tawada的小说表明,作者既受益于一个世纪的传统,又创造性地寻找表达当代社会常见的创伤前应激综合征的新方法。这本书是为专门研究英国文学、美国文学和科幻研究的学术观众(研究生、研究人员和学者)写的。本站不对文件进行储存,仅提供文件链接,请自行下载,本站不对文件内容负责,请自行判断文件是否安全,如发现文件有侵权行为,请联系管理员删除。
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