异议之声：反叛之歌、抵抗运动与爱尔兰共和主义

English | 264 pages | University of Michigan Press (April 5, 2022) | 0472038877 | PDF | 7 Mb

The signing of the Good Friday Agreement on April 10, 1998, marked the beginning of a new era of peace and stability in Northern Ireland. As the public overwhelmingly rejected a return to the violence of the Troubles, loyalist and republican groups sought other outlets to continue their struggle. Music, which has long been used to celebrate cultural identity in the North of Ireland, became a key means of facilitating the continuation of pre-Agreement identity narratives in a “post-conflict” era.

Sounding Dissent draws on three years of sustained fieldwork within Belfast's rebel music scene, in-depth interviews with republican musicians, contemporary audiences, and former paramilitaries, as well as diverse historical and archival material, including songbooks, prison records, and newspaper articles, to understand the history of political violence in Ireland.The book examines the potential of rebel songs to memorialize a pantheon of republican martyrs, and demonstrates how musical performance and political song not only articulate experiences and memories of oppression and violence, but also play a central role in the reproduction of conflict and exclusion in times of peace.

英文| 264页|密歇根大学出版社（2022年4月5日）| 0472038877 | PDF | 7 Mb 1998年4月10日签署的《耶稣受难日协议》标志着北爱尔兰和平与稳定新时代的开始。由于公众压倒性地拒绝恢复动乱的暴力，忠诚派和共和党团体寻求其他渠道继续斗争。音乐长期以来一直被用来庆祝北爱尔兰的文化认同，成为在“冲突后”时代促进协议前身份叙事延续的关键手段。 Sounding Dissent借鉴了贝尔法斯特反叛音乐界三年的持续实地考察，对共和党音乐家、当代观众和前准军事人员的深入采访，以及各种历史和档案材料，包括歌曲集、监狱记录和报纸文章，以了解爱尔兰政治暴力的历史。这本书探讨了反叛歌曲纪念共和国烈士万神殿的潜力，并展示了音乐表演和政治歌曲不仅表达了压迫和暴力的经历和记忆，而且在和平时期冲突和排斥的再现中发挥了核心作用。

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