流媒体音乐，流媒体资本

English | 2024 | ISBN: 1478020997 | 361 pages | True PDF | 5.89 MB

InStreaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music's complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming's benefits and pitfalls, Drott sheds light on music's situation within digital capitalism, from growing concentrations of monopoly power and music's use in corporate surveillance to issues of musical value, labor, and artist pay.

英文| 2024 |国际标准图书编号：1478020997 | 361页|真PDF | 5.89 MB 在《流媒体音乐，流媒体资本》一书中，Eric Drott分析了在线音乐流媒体平台的政治经济学。Drott关注流媒体对音乐生产、流通和消费的重新排序方式，研究了这种新音乐经济的关键特征，包括数据收集、播放列表、版权执行的新方法和收听指标的计算所发挥的作用。然而，由于流媒体突显了音乐在现有私有财产制度中的不安，它的兴起要求人们更广泛地重新考虑音乐与资本主义之间复杂而矛盾的关系。Drott的分析不仅仅是音乐如何按照经济价值的主要衡量标准进行格式化；同样重要的是音乐如何避开这些措施，这种情况有可能使音乐成为一种廉价、丰富的资源。通过探究流媒体的好处和陷阱之间的紧张关系，Drott揭示了音乐在数字资本主义中的处境，从垄断权力的日益集中和音乐在企业监督中的使用，到音乐价值、劳动力和艺术家薪酬问题。

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