什么王国（有声读物）

2024 (2021) | English | B0D9HT7329 | M4B 125 kbps | 2 hours and 54 minutes | 159 MB

In honest, crackling investigations of the psychiatric system and the young people trying to find their way, Gråbøl's soaring debut offers a critique of institutionalization and an urgent recalibrating of the language and conceptions of care.

"I'm not inarticulate, but I leave language to the room around me," says Fine Gråbøl's nameless narrator as she dreams of furniture flickering to life in the room she occupies at a temporary psychiatric care unit for young adults. Our narrator is obsessed with the way items rise up out of their thingness, assuming personalities and private motives. She also cannot sleep and practices her daily routines with the urgency of survival—peeling a carrot, drinking prune juice—all an acutely calibrated exploration into having a home.

Structured as a series of intimate vignettes like those of Olga Ravn, What Kingdom thrums with the swirling voices of this shared home. Hector blares Michael Jackson from the recreation room and recalls a past in Peru when his psychoses were treated with exorcism. The town would shake the devil out of his small, teenage body before he was relocated to Denmark. Or Marie, who has lived in the temporary unit since she was eighteen, has no idea that her mother lives just four floors below in a permanent care unit.

2024（2021）|英语| B0D9HT7329| M4B 125 kbps | 2小时54分钟| 159 MB Gråbøl的首次亮相对机构化进行了批判，并紧急重新校准了护理的语言和概念。 “我不是口齿不清，但我把语言留给了我周围的房间，”Fine Gråbøl的无名叙述者说，她梦想着在她为年轻人开设的临时精神病护理室里，家具闪闪发光。我们的叙述者痴迷于物品从物质中崛起的方式，假设个性和私人动机。她也睡不着，带着生存的紧迫感练习日常生活——削胡萝卜、喝西梅汁——所有这些都是对拥有家的敏锐探索。 《什么王国》由一系列亲密的小插曲组成，就像奥尔加·拉文（Olga Ravn）的小插曲一样，在这个共同家园的旋转声音中穿行。赫克托在娱乐室里大声呼喊迈克尔·杰克逊，回忆起他在秘鲁接受驱魔治疗的过去。在他被重新安置到丹麦之前，这个小镇会把他那小小的、十几岁的身体摇身一变。或者玛丽，她从18岁起就住在临时单元里，不知道她的母亲住在四层楼以下的一个永久性护理单元里。

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