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地中海的流离失所、环境和照片政治

English | 2024 | ISBN: 9781003086369 | 190 pages | True PDF,EPUB | 16.11 MB

Focusing on the Mediterranean region from 2015 onwards, this volume explores photography’s engagement with displacement, a process that denotes the environmental and social breakdown of places and the forced mobility of people.

The ongoing proliferation of photography of the displaced plays a crucial role in shaping opinions, by sensitising the public to the despair of displacement and hardening them to the trope through repeated exposure. Through a range of images by both established and amateur photographers, as well as ethnographic notes that draw from interviews with actors who are either displaced or working with the displaced, Parvati Nair questions the extent to which photography opens a space of possibility for the displaced in the face of globally dominant ideological drives that lead to the Anthropocene. Chapters focus on key aspects of this mass phenomenon, such as the question of crises no longer as exception but as historical process, the lived experiences of protracted relegation to borders and exposure to possible death, the prevalence of domicide and the spread of encampments, and the question of hope for the future.

The book will be of interest to scholars in photography theory, migration and refugee studies, art history, Mediterranean studies, and political science.

中文| 2024 | ISBN:9781003086369 | 190页| True PDF,EPUB | 16.11 MB本书从2015年开始关注地中海地区,探讨了摄影与流离失所的关系,这一过程表明了地方的环境和社会崩溃以及人们的被迫流动。 流离失所者摄影的持续扩散在塑造舆论方面发挥着至关重要的作用,它使公众意识到流离失所的绝望,并通过反复曝光使他们对这一比喻更加坚定。通过知名摄影师和业余摄影师的一系列照片,以及对流离失所者或与流离失所者一起工作的演员的采访中得出的人种学笔记,Parvati Nair质疑摄影在多大程度上为流离失所者在导致人类世的全球主导意识形态驱动下开辟了可能性的空间。各章侧重于这一大规模现象的关键方面,例如危机不再是例外,而是一个历史过程的问题,长期降级到边境和可能死亡的生活经历,凶杀案的普遍存在和营地的蔓延,以及对未来的希望问题。 这本书将引起摄影理论、移民和难民研究、艺术史、地中海研究和政治学学者的兴趣。
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