洛佩·德·维加与卡尔德隆的“革新”：西班牙巴洛克戏剧研究

English | 493 pages | De Gruyter; 1st edition (November 7, 2017) | 3110556081 | EPUB,PDF | 7 Mb

This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.

英文|493页|De Gruyter；第1版（2017年11月7日）| 3110556081 | EPUB，PDF | 7 Mb本书介绍了一种新的西班牙巴洛克戏剧方法，灵感来自福柯话语考古学，其细致的语言学和雄心勃勃的理论的罕见融合将使西班牙文学专家和任何投资于欧洲思想史的人都感到兴奋和富有成效。详细阅读洛佩·德·维加和卡尔德隆·德拉巴萨的一些最著名的戏剧，既有圣歌（El viaje del alma；El divino Orfeo；la lepra de Constantino），也有喜剧（El castigo sin venganza；El príncipe constante；El médico de su honra）。对戏剧的“考古”视角意味着他们的话语历史“陪衬”的整合，从异教古代到中世纪和文艺复兴，以及对相关话语的讨论，主要是神学、哲学和历史学。单独的“Exursus”表明了对中世纪、文艺复兴、风格主义和巴洛克之间话语关系概念化的常见方式的重新考虑。

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