《帕尔格雷夫音乐产业研究批判手册》

English | 2024 | ISBN: 3031640128 | 664 Pages | PDF (True) | 13 MB

The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently. People are hungry for a more equitable music performance and recording system. The industry exudes patriarchy, white supremacy, cultural imperialism, ableism, and worker exploitation. In the context of gendered (e.g., #MeToo and #TimesUp) and racialized (e.g., Black Lives Matter) inequity, rampant precarity and casualization, and modes of musical dissemination that are changing faster than policymakers and regulatory bodies can keep up with, the timing for assembling such an interdisciplinary collection could not be more appropriate. Essays in this handbook will tackle power structures at root in the music industry and the academic study of the field. Topics covered include the politics of representation and

《批判音乐产业研究手册》为学生和研究人员提供了思考如果我们将事情做得不同，音乐的表演、录音和出版可能会是什么样的手段。人们渴望有一个更加公平的音乐表演和录制系统。行业弥漫着父权制、白人至上主义、文化帝国主义、残疾歧视以及对工人的剥削。在性别（例如#MeToo和#TimesUp）和社会种族化（例如黑人生命 Matter）不平等、普遍的不稳定性和职业边缘化，以及音乐传播方式快于政策制定者和监管机构所能跟上的模式下，将如此跨学科的合集在此时组合起来再合适不过了。本手册中的文章将探讨音乐产业及该领域学术研究中根深蒂固的力量结构。涵盖的主题包括代表的政治、意识形态、社会文化政治以及音乐在不同文化和社群中的作用等。

---

Download from free file storage

 Download from nitroflare.com  Download from rapidgator.net

---

我要反馈

---

本站不对文件进行储存，仅提供文件链接，请自行下载，本站不对文件内容负责，请自行判断文件是否安全，如发现文件有侵权行为，请联系管理员删除。