银口狂嘶号：感谢_dead_——罗伯特·亨特遗失的手稿

2024 | English | 0306835150 | EPUB | 256 pages | 28 MB

Discovered at last, the legendary lost manuscript of Grateful Dead co-founder and primary lyricist Robert Hunter, written in the early 1960s—a wry, richly observed, and enlightening remembrance of “the scene” in Palo Alto that gave rise to an incredible partnership of Hunter and Jerry Garcia, and then to the Grateful Dead itself—with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier.

“Strange to think back on those days when it was perfectly natural that we all slept on the floor in one small room.... These were the days before practical considerations, matters of ‘importance,’ began to eat our minds. We were all poets and philosophers then, until we began to wonder why we had so few concrete worries and went out to look for some.”

So wrote Robert Hunter in The Silver Snarling Trumpet, both a novelistic singular work of art and the missing piece of the Grateful Dead origin story. In these pages, readers are privy to the early days of Hunter, Garcia, and their cohorts, who sit at coffee shops passing around a single cup of bottomless coffee because they lacked the funds for more than one. Follow these truth-seeking souls into the stacks at Kepler’s Books, renting instruments at Swain’s House of Music, and through the countryside on mind-expanding road trips. Witness impromptu jams, inspired intellectual pranks, and a dialogue that is, by turns, amusing and brilliant and outrageous. Hunter shares his impressions of his first gig with Garcia for a college audience, along with descriptions of his most intense dreams and psychedelic explorations. All of it, enlivened by Hunter’s visionary spirit and profound ideas about creativity and collaboration.

The lost manuscript is augmented with a Foreword by John Mayer, an Introduction by Dennis McNally, and an Afterword by Brigid Meier, who was part of their scene in the San Francisco Bay Area that served as a bridge from the beatniks to the hippies. Also included is Hunter’s own 1982 assessment of his work—about how he shared it with close confidants but then decided to leave it unpublished. Five years after Hunter’s death, the text has been found, so readers and fans of Hunter’s indelible poetry and song can explore the origin of his genius and his craft.

最后发现的传奇失踪手稿《银色嘶吼的小号》，是吉伦德乐队创始人兼主要歌词创作者罗伯特·亨特在20世纪60年代初所写——这是一篇讽刺、丰富且令人启迪的关于“那个场景”的回忆，它诞生于帕洛阿尔托，并催生了亨特与杰里·加西亚之间不可思议的合作，最终形成吉伦德乐队。由约翰·梅耶撰写的前言，《银色嘶吼的小号》既是小说式的独特艺术品，也是吉伦德起源故事所缺失的部分。在这里，读者得以窥见亨特、加西亚及其同伴的早期生活场景：他们坐在咖啡馆里分享着一个无尽咖啡杯中的咖啡，因为他们没有足够的钱来买更多的饮品；他们曾是诗人和哲学家，直到开始好奇为什么他们会如此少有实际问题而外出寻求答案。 在《银色嘶吼的小号》一书中，亨特这样写道：“回想起那些日子时，我们都能够在一个小房间里睡地板是理所当然的……那时候还没有实用主义考虑、诸如‘重要’的事情占据我们的大脑。那时我们都是一群诗人和哲学家，直到我们开始疑惑为什么我们会如此少有实际问题，并试图寻找它们。” 《银色嘶吼的小号》一书由约翰·梅耶撰写的前言、丹尼斯·麦纳利撰写的导语以及布丽吉特·梅伊撰写的后记增补。后者来自旧金山湾区的反叛诗人圈，他们充当着贝托兰人与嬉皮士之间的桥梁。书中还收录了亨特本人在1982年对他的作品所作的看法——他曾经将它分享给亲密的朋友，但最终决定不公开发表。在亨特去世五年之后，《银色嘶吼的小号》文本被发现，因此读者和亨特的粉丝们能够探索这位天才及其工艺的起源。

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