苏联地下文化反档案纪念实践
This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which – although being half-isolated from the outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present.
这本书是首次对苏联地下文化档案与纪念实践进行的重大研究。创建反档案是苏联文化抵抗中最重要的一种形式。无官方艺术家和诗人不得不重新发明维持“不存在”的艺术与文学的可能性。在档案理论和记忆研究的背景下,该卷探讨了苏联地下文化如何成为一种极具特色的学术和艺术(自我)记录的现象,尽管它处于外界半隔离的状态,但仍然反映了当时的思想和艺术趋势。该卷的核心问题是:苏联无官方文化是如何通过收集、建档与纪念过去和当下的禁忌文化的重构,来重建或消解社会记忆的。
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