宏大的涂鸦:追踪城市中的公共艺术与抵抗运动
What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression.
What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be.
什么涂鸦反映了当代社会,为什么它作为一种公共表达形式需要我们的紧急关注。 涂鸦是什么——是 vandalism、装饰还是艺术?如果抛开上述任何一种定义,我们是否可以将涂鸦视为一座纪念碑呢?这样会如何改变我们对涂鸦的理解,并进而影响我们对纪念碑的解读?在《纪念碑涂鸦》一书中,策展人和人类学家拉斐尔·沙舍特专注于这两种物质文化形式的材料性、沟通性和语境性方面,为我们提供了当前公共艺术、公民身份与城市现状的一种及时视角。他以纪念碑为切入点来理解涂鸦,并用涂鸦作为一种工具来解读纪念碑,促使我们思考当今世界最合适的纪念碑应是什么样的。
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