神经科学与艺术：神经文化景观（神经文化和身心健康）

English | 2024 | ISBN: 3031623355 | 341 pages | True PDF,EPUB | 92.95 MB

This book is focused on how understanding ourselves as humans is incomplete without considering both biological and cultural aspects. Using the neurocultural perspective, the book explores how everything in the world is filtered back and forth through the brain and culture. The thrust of the book, therefore, is to explore the power of art in creating a bridge between cultural and neuroscientific lines of inquiry. Looking at both clinical and non-clinical populations, the text examines historical foundations, distinguishes congenital/developmental conditions from those that are acquired, and emphasizes how the brain constructs our sensory experiences.

Several distinctive features separate this research from other publications. First, the book opens with a review of how the historical literature is still etched into the ideas we employ to explain elements across the interdisciplinary fields of art, aesthetics, our sensory experience, psychology, cognition, and well-being. Second, the research adopts a humanistic rather than a philosophical or social science perspective in demonstrating the value of coupling anatomy and physiology with the natural and social environment. In this, artists from all genres are incorporated. Among them are Iris Murdoch, Ludwig van Beethoven, Leonardo da Vinci, Cristoforo de Predis, Rembrandt, Federico Fellini, Chuck Close, and David Hockney.

这本书专注于，如果我们不考虑生物学和文化方面的因素，对人类的理解是不完整的。通过神经文化的视角，本书探讨了世界中的所有事物都是被过滤回大脑和文化中。因此，本书的主要目的是探索艺术在建立文化和神经科学领域的研究之间桥梁的力量。该书既审视临床患者群体也审视非临床患者群体，分析历史基础，并将先天/发育性状况与获得性状况区分开来，强调大脑是如何构建我们的感官体验的。 这本书的研究与其他出版物之间有几个独特的区别。首先，本书以对跨多学科领域的艺术、审美学、感官体验、心理学、认知和福祉等方面的文献的历史审查为开篇，使我们能够理解如何仍然将这些历史文献嵌入我们用来解释整个跨学科领域中元素的思想体系中。第二，研究采用人文主义而非哲学或社会科学的视角来展示结合解剖学和生理学与自然和社会环境的价值。在此过程中，所有艺术流派都纳入其中。其中包括伊丽莎白·穆尔（Iris Murdoch）、路德维希·范·贝多芬（Ludwig van Beethoven）、列奥纳多·达·芬奇（Leonardo da Vinci）、克里斯托弗洛迪尼（Cristoforo de Predis）、伦勃朗（Rembrandt）、费德里科·法雷利（Federico Fellini）、查克·科尔（Chuck Close）和大卫·霍克基（David Hockney）。

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