我们本应该知道的：Celine、Shania、Alanis和Sarah如何统治九十年代并改变了音乐

Andrea Warner | 2024 | ISBN: 1770417745 | English | 264 pages | ePUB | 2 MB

A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever

Fully revised and updated, with a foreword by Vivek Shraya

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized ’90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in ’90s entertainment, and We Oughta Know is a crucial part of that conversation.

With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy.

一个充满活力的文章集，重新审视了九十年代音乐界四位主导角色的非凡遗产，并彻底改变了行业 经过全面修订和更新，该文章集由Vivek Shraya撰写引言 在这个与时事紧密相关的文章集中，备受尊敬的音乐记者安德烈·沃纳探讨了Céline Dion、Shania Twain、Alanis Morissette和Sarah McLachlan如何成为合法的全球超级巨星，并彻底改变了九十年代的音乐。在男性主导音乐团体获得杂志封面、格莱美奖和杰诺斯奖，以及严肃评论关注的时代，这四位女性却被媒体边缘化并被视为流行文化笑话。尽管他们的唱片销量创纪录，但她们仍然被媒体贬低。现在，世界正在重新考虑九十年代娱乐行业关键女性的待遇和声誉，而《我们应当知道》则是这场对话的重要组成部分。 怀着同情心、幽默感以及她作为青少年对Céline、Shania、Alanis和Sarah的看法反思，沃纳为我们提供了一个新的视角，让我们能够理解这四位加拿大女歌手如何主导九十年代广播电波，并通过声音、时尚和倡导影响了一代当代流行偶像。

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